Who am i?

Born profoundly deaf, cochlear implant surgery at 14 months and a second surgery at 7 years old. Diagnosed with high functioning autism age 13, followed by ADHD at 21.

My business is my identity, despite all these labels, I still have a loving family, went to top tier education, and is currently a committed student athlete. My fine art business is not only a tool for me to vent my struggles more so reach out to those that feel they are alone, but disability is also not a reason to stop you, it should be a reason you keep moving forward, defy the odds, connect to those around. My business investigates aspects of life with hearing loss and neurodiversity, I hope with what I create forms a bridge between those that have it and those that don’t, art is a language that requires no words.

 

Two young women at a gathering or party, one with dark curly hair and wearing a black sleeveless top with mesh panels, and the other with long curly hair wearing a black top, they are indoors near windows at night.

WHAT I CAN GIVE YOU

My art gives form to what is often unheard.
It holds space for hands, silence, and in-between languages, offering moments of recognition, resistance, and belonging.

My professional practice is informed by lived experience of bilateral profound hearing loss and Deaf identity. I bring Deaf-led knowledge to exhibitions, commissions, collaborations, workshops, and talks, with a strong focus on access, communication, and inclusion. I am open to working with galleries, institutions, and organisations seeking to engage meaningfully with Deaf audiences and perspectives, and I value clear, accessible ways of working across all professional contexts.

what can you give me

I’ve spent time reflecting on what my work gives to audiences and viewers — visibility, recognition, and space for Deaf identity, British Sign Language, and embodied communication. My practice is rooted in lived experience, and everything I make comes from a place of care, resistance, and honesty.

To continue developing this work, I now need support.

As a Deaf artist with bilateral profound hearing loss, my practice exists within systems that are not always built with access in mind. Funding, visibility, and sustained opportunities are essential for me to continue creating work, exhibiting, and reaching wider audiences. Support allows me to invest in materials, studio time, access provision, and professional development, all of which are crucial to maintaining a Deaf-led and inclusive practice.

One simple way to support my work is by following and engaging with my art on Instagram. Sharing my work, talking about it, and helping it reach new audiences makes a real difference, especially in a landscape where Deaf artists are still underrepresented.

If you are a curator, organisation, funder, or individual interested in my practice, I welcome conversations around exhibitions, commissions, collaborations, and funding opportunities. Supporting my work means supporting Deaf culture, access, and alternative ways of understanding communication and language.

Thank you for taking the time to read, engage, and support my practice — every form of support matters.

To reach out and contact me,

People working on painting or renovation in a room with white brick walls and fluorescent ceiling lights.
A person wearing a white cap and red sleeveless shirt with overalls, working with clay or ceramic on a table in a workshop.
A person holding a small, shiny metallic object resembling a robot or a futuristic device, in a workshop setting with tools, a hammer, and samples of materials on a wooden workbench.
A person in a red shirt and denim overalls holds a large sculpted face made of clay.
Person sawing a piece of wood in a workshop.
Person using a yellow hand tool to scrape a piece of material, with fingers covered in white dust or residue.
Person crouching on the floor with paint on clothes, reaching into a black bucket surrounded by painting supplies, in an art studio.
Person in a black paint-splattered shirt rolling out clay with a rolling pin in a woodworking or pottery studio.
A person rolling out clay with a cylindrical rolling pin in a kitchen.
A person working in a pottery studio holding a pink ceramic piece and showing a middle finger gesture.
A person hand holding a wide paintbrush painting white concentric circles on a wall, creating a target-like design.
A person with dark curly hair, wearing a dark paint-stained shirt, using a level on a wall.
A person is performing CPR on another individual lying on a makeshift cushion, while a woman appears to be assisting or checking on the person, in an indoor workshop or warehouse setting.
A young woman in a gray sports bra and black cargo pants stands in a pottery workshop, mixing or kneading clay with both hands inside a black bucket, with a slight smile. She wears a black backward cap and has a silver necklace, surrounded by pottery
Person wearing a white cap and red sleeveless shirt working on a pottery wheel in a workshop.

Contact me

If you’re interested in my practice or want to collaborate, you’re welcome to get in touch.
All forms of communication are valued.